Until that time Wilde had been a renowned poet and playwright. But he was also controversial. He liked to party and indulge in vices, and make a show of his iniquities. This led critics to view him as immoral and hedonistic. And they accused him of doing the provocative things he did, all for publicity.
But after The Picture was published, a new “picture” of Oscar Wilde began to emerge. This novel contained many off-handed, subtle references to homosexual behavior. And while it did not overtly portray or promote anything homosexual, it averred to it strongly enough to raise the suspicion of critics and moralists throughout England.
Homosexual acts were very illegal in that Victorian era. They could earn a perpetrator prison time with hard labor.
Wilde remained popular with his reading audience, but even they couldn’t help but suspect he might be a dreaded homosexual, after reading his book. In fact, anyone and everyone in the know began to suspect it.
In 1891 Wilde began hanging out with Lord Alfred Douglas, the 20-year-old son of the Marquess of Queensberry. The Marquess was a brute of a man, who had taken credit for creating the modern rules of boxing, known as the Queensberry Rules (although the actual writer of the rules was a man named John Graham Chambers). The Marquess feared that Wilde might be seducing his young son into a homosexual relationship.
He confronted Wilde several times over the next few years, and their relationship grew more and more tense. In 1894, a sort of war was declared between them, when he apprehended Wilde in a restaurant. He declared his suspicions about Wilde’s sexual orientation, and issued an ultimatum with the following words: “I do not say that you are it, but you look it, and pose at it, which is just as bad. And if I catch you and my son again in any public restaurant I will thrash you!”
The ever-clever Wilde riposted: “I don’t know what the Queensberry rules are, but the Oscar Wilde rule is to shoot on sight.”
In a sense, it was Lord Douglas who was seducing Wilde, and not the other way around. Alfred introduced Oscar to the underground world of male prostitution. And Oscar relished in it. It felt exciting and dangerous. Just Wilde’s wild style.
A few months later, in February, 1895, the Marquess left a calling card for the poet that read, “For Oscar Wilde, posing somdomite.” It’s actually spelled “sodomite”, but brutes aren’t well known for their writing skills.
Lord Alfred Douglas had been feuding with his father, and he wanted to hurt him bad. So he persuaded Oscar to prosecute his dad for criminal libel. After all, calling someone a sodomite was an insult. And insulting someone was against the law in England. Unless, of course, the insult was true.
Wilde’s friends cautioned against it, because they knew the insult really was true. But how do you convince the love-struck? Wilde enjoyed indulging his young lover, so he granted Douglas’ wish and went ahead and filed charges.
Soon the Queensberry Rules man found himself on the ropes and facing trial. If convicted he faced two years in prison. His only defense was to prove that what he wrote on the calling card was an accurate fact.
The Marquess of Queensberry knew how to fight. Hell, he stole the rules on fighting. And he delivered a sockdolager punch. He hired detectives to look into Oscar Wilde’s lifestyle, and they uncovered his activities in London’s gay brothels.
Two months after the calling card incident the trial began. It was a circus, with Wilde’s prosecution unraveling in the face of a mountain of evidence amassed against him. And the defense attorney cross-examined Wilde about the moral content of his works, including The Picture of Dorian Gray. Wilde’s witty retorts won him laughs but left him looking more and more like the true guilty party.
Then the turn came for the defense to present its case. In his opening statement, the defense attorney announced that he had located several male prostitutes who were going to testify that they had sex with Wilde. Wilde sensed great danger and knew he couldn’t win, so he quickly dropped the libel charges.
But it was too late. The court ruled that the words on the Marquesses’ calling card were “true in substance and fact”. And under the law, Queensberry’s acquittal left Wilde liable for Queensberry’s legal expenses, and the cost of his detectives. It was a lot of money, and it bankrupted the poet.
But Queensberry wasn’t finished punching, even while Oscar lay still on the mat. He immediately gave Scotland Yard the evidence his detectives had uncovered on Wilde.
The next day Wilde was arrested and charged with sodomy and gross indecency. And on May 25,1895, he was convicted of gross indecency and sentenced to two years’ hard labor.
In prison he was forced to walk a treadmill, and separate oakum fibers from old navy ropes. His bed was hard, and the food was of poor nutritional quality. Within six months his health was destroyed. He managed to stagger into the prison chapel one day, where he collapsed from illness and hunger. He hit his head when he fell, and broke his eardrum.
A prison reformer visited him and had him transferred to a new jail, where his treatment might be better. But during the transfer a crowd jeered and spat at him at a train station. This was when Wilde fully realized he had become one of the most reviled men in England, now that everyone knew for sure he was homosexual. He felt devastated.
In May, 1897, after two years of torture, he was released from prison, with his health in tatters, his finances ruined, and his fame reduced to obloquy. He immediately sailed for France and never returned to England.
He was penniless from his bankruptcy. In France he wrote a poem under a nom de plume that was an instant success and earned him a little money. But it was not enough to lift him out of poverty.
For the next three years Oscar Wilde haunted the boulevards of Paris. He continued to write a little, here and there, but finally became so depressed about his fate that he quit writing altogether. He turned to alcohol, which only worsened his health and left him more deeply impoverished.
The eardrum he broke while in prison continued to bother him. A surgeon performed a mastoidectomy, and soon after he developed meningitis. On November 30, 1900, this brilliant poet who had delighted millions, only to become the object of their homophobia and cruelty, passed away in a dingy hotel room in Paris.
He died at age 46. But it was at age 36 that he published the book that eventually killed him, The Picture of Dorian Gray.
In this book, Dorian Gray remains constantly young and innocent-looking, while engaged in a pleasurable lifestyle of debauchery. However a portrait of him grows older and uglier from dissipation, with every hedonistic act indulged in by Gray. Literary scholars teach that the picture is symbolic of Dorian’s true inner self, growing increasingly evil and corrupt as he delved deeper into hedonism.
That may be, but I wonder if Wilde also intended another meaning.
Perhaps it had been a fantasy for Wilde that he could get away with coming out and subtly revealing the truth about his sexual orientation. And maybe Dorian Gray’s picture was meant to be symbolic of Wilde’s ever-deteriorating, seedy reputation.
Oscar’s career had already thrived for many years, in spite of what morality critics thought and wrote about him. So he wasn’t afraid of a bad reputation, and maybe he felt tempted to push the envelope further. Perhaps he calculated that his writing career could be like Dorian Gray, continuing to thrive successfully in spite of his reputation (the picture) looking worse and worse every day.
If so, it was a disastrous miscalculation. He could handle a besmirched reputation. But he didn’t count on the people of England destroying him.
After Dorian Gray dies, his portrait returns overnight to its original unsullied image. But such transformation wasn’t so fast for the reputation of Oscar Wilde. For a long time after his death he remained a pariah in the minds of the masses.
It has taken many years for society to accept homosexual people and embrace gay rights. And in fact there is still much more progress to be made.
But the poet’s reputation and popularity did eventually recover. Today Oscar Wilde is regarded as one of the greatest writers of all time.
And the book that killed him also recovered. Several films have been made, based upon The Picture of Dorian Gray. And it has inspired plots for quite a few other works of didactic fiction. These days, The Picture is regarded as a great literary classic.
In 2017 the British Parliament passed the Alan Turing Law, which pardoned an estimated 50,000 men who had been convicted of criminal homosexual acts.
Oscar Wilde was among those pardoned. Like Dorian Gray’s picture, his reputation was finally restored.